Publications

We have risen, we’re on the rise, we are here: Interview with Mame Bougouma Diene

Interview with speculative writer and 2023 Caine-prize co-winner Mame Bougouma Diene

23.07.2023 

“Safe in Each Other’s Scaly Arms”: Solace, Oddkinship and the Third Position in African Speculative Texts

29.02.2024  Book Chapter, Animals and Science Fiction (ed. Castle, N. and Champion, G). UK: Palgrave Macmillan

In African speculative fiction, there can be found examples of texts that touch on (neo)colonial displacement, uprootedness, and alienation. Through evoking the familiar Other—the nonhuman animal, the hybrid, or even the monster—these texts both portray an (ongoing) shared trauma and express a quiet refusal of narratives of separation and hierarchy. Here I examine how this “uneasy” kinship is critically embraced and operates in the short-story “When the Levees Break” by Edwin Okolo (2022). Second, I explore David Uzochukwu’s “black merfolk” in the photography series Mare Monstrum/Drown in My Magic (2016-ongoing), to illustrate how what I am calling the third position is assumed. The third position can be described as a deliberate, resilient, and persistent process of place-making, creating a home for the displaced with both the nonhuman, the human, and the Land itself. Born out of exclusion and dehumanization, the third position then takes on a life of its own, creating a specific, historicized way of coming to what Joan Gordon calls the amborg gaze. Finally, I discuss how both these texts keep the promise of the animal, insisting on expansion, utopian spark, and creating zones of possibilities.

Føling i Fjæra

15.10.2022  Klassekampen

For noen kan havet bety frihet og eventyr. For andre minner det om historiske traumer.

Fantasien vil redde kloden

10.09.2022  Klassekampen

Du vet at det er krise når politikere og næringslivstopper begynner å lese science fiction.

Kua mi, jeg takker deg

23.06.2022  Klassekampen

Verden er innviklet, og vi kan ikke temme den, skriver Marta Tveit.

Makeshift Modernity

13.07.2021  Africa is a country

The rise of African Speculative Fiction and other exciting cultural production indicates that modernity is not an exercise in “catching up” with Europe, but an entirely new condition.

Fairytale’s end

14.09.2021  CoFUTURES blog/ Klassekampen

An unresolved nostalgia haunts new exhibition remembering the end of oil and gas-excavation in Norway.

Evolution of the norwegian speculative hero

16.04.2022  ScienceNorway.no 

How has the Norwegian fantastic hero changed over time, and what can this tell us about ourselves?

En Fremmed i en fremmeds verden

July, 2022 Morgenbladet

Jeg kan kjenne meg igjen i rollen som begeistret fremmed i eget land. Kanskje romantisk fantasy er på vei tilbake.

Notat om undringslitteratur

26.02.2022, Klassekampen

Vi mangler en egen sjanger for bøker som blander det overnaturlige og det virkelighetsnære.

Der vår klimafiksjon bærer preg av melankoli, har de afrikanske tekstene en sint og seig energi,…

25.06.2020 Morgenbladet

Klima-angsten skaper et behov. Et behov for å bearbeide det som skjer nå, og det vi frykter vil skje i fremtiden. Science-fiction er derfor en spennende sjanger, fordi den lar oss utforske nifse og mulige fremtider i trygge laboratorium-aktige omgivelser. Derfor er det ikke overraskende at det har vokst frem en ny undersjanger innenfor science fiction.

I Lyset fra Mars

Morgenbladet may, 2022

Anmeldelse: “En Strek gjennom tyngdekraften”

Sun Ra er del av afrofuturismens «fundamentale pyramide»

20.08.2016 Dagbladet

Afrofuturismen ble født da Sun Ra landet sitt psykedelisk puppeformede romskip i 1969. I 2016 lever den videre i Beyoncés nyeste video-album.